Showing posts with label Tallinn. Show all posts
Showing posts with label Tallinn. Show all posts

Friday 10 January 2014

Book Post - A Truckle Of 'Shemlan: A Deadly Tragedy' Trivia


For no particularly good reason, a handful of things you probably didn't know (or even want to know) about Shemlan: A Deadly Tragedy. Which is a book I've written. Don't know if I mentioned that before or not...

The wooden Estonian orthodox church is real
Dennis Wye meets Jaan Kallas outside a wooden church with an ageing congregation. It's real, down near the port in Tallinn (just across the road, in fact, from the Museum Of Soviet Uselessness) and rather beautiful. It's one of few surviving churches in Tallinn - Estonia seems quite proud of being the most secular country in Europe and most churches have been deconsecrated and are being used as concert halls or Irish pubs. Hence the ageing congregation. The music in these churches, by the way, is beautiful and forms a connection to the Syrian Urfalee church.

So's the ice road
And you genuinely are told not to wear a seat belt and to travel within the minimum and maximum speed limit for fear of creating resonance and cracking the ice.

Marwan Nimr is back
He was inspired by a box of fruit. There's a company that airfreights fruit out of Lebanon called 'Marwan' and its logo is a little dakota-like aeroplane whizzing through the air. And so Marwan Nimr was born. He makes a cameo in Shemlan - having survived Beirut - and he's not best pleased with our Gerald.

Talking of cameos...
Lamiable extra brut champagne makes a brief appearance, following its excellent debut in Beirut. It's actually hard to make great extra brut champagne (with little or no added sugar, or 'dosage', it's easy to make sour extra brut, hard to make flinty, dry but rounded extra brut) The family that produces this exquisite single grower grand cru champagne appear to have forgiven me for using their delicious product to kill a chap in Beirut. I know they've read it because their UK importer sent them the relevant passage. Snitch.

The Puss In Boots
Marcelle's rather outré establishment in Monot, Le Chat Botté, is actually named after a Belgian hotel I stayed in as a kid. It just seemed like a good name and I've always liked that Marcelle insists on using its French name rather than the English version. How very Lebanese, darling!

Lance Browning
The nature of Lance Browning's fate and the fact he works for a certain bank are by no means intended to be some sort of revenge on my bank and certainly not written with ferocious relish. I can state that categorically.

The baddies are really bad...
The Ühiskassa, the umbrella organisation of the Estonian mafia is real, although apparently less active these days than in its heyday before Estonia's accession to the European Union.

The goodies are hardly better - and no, the whole CIA scheme in the book is by no means far fetched
In fact, the precise scheme they're up to in Shemlan is documented as having been seriously evaluated as an operation by the CIA. There are many recorded instances of US intelligence having become involved in the international arms and drugs trades, including the ill-fated Iran contra scandal, as well as money laundering drug related funds. So now you know...


There's also more stuff about the book and the Middle East Centre for Arab Studies there, too!
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Friday 11 October 2013

Book Post: Writing Shemlan - A Deadly Tragedy


I found a sub-folder in my laptop's big mess of writing folders that contained a tiny snippet of text - an idea I'd jotted down at some stage. It was dated early 2004 and the Word doc in contained no more than:
Today I have been alive a little over an hour. The sea is very blue outside the window of my bedroom, which makes up most of one side of the room. The bed sheets are white and crisp, and they feel good.
It was an odd thing to find in 2013 - particularly as Shemlan - A Deadly Tragedy starts:
Jason Hartmoor has been alive a little over an hour. He has recovered from his recurring nightmare and turned the damp side of his pillow to face the mattress. He lies, luxuriating in the bright light streaming through the window overlooking the sea. It takes up most of the length of the room. The bed sheets are white and crisp. Every opening of the eyes is a bonus, a thrill of pleasure. Sometimes he tries to stave off sleep, lying and fighting exhaustion until the early hours. It is becoming increasingly hard to push back the darkness. These days he’s lucky to hold out beyond midnight.
The idea seems to have stuck around, no?

The concept of MECAS - the Middle East Centre for Arab Studies - has long fascinated me. Somewhere up there in the Chouf mountains above Beirut was a building that had for thirty years housed the Foreign and Commonwealth Office Arabic language school - known to the Lebanese as the British Spy School. Founded by Bertram Thomas, disgraced by George Blake, (taken from Shemlan and arrested as a Soviet double agent) and closed by the Lebanese Civil War, MECAS is an enigma and a minor marvel to me.

The idea of setting a spy thriller around someone who had studied at the school - around the school itself - had long nagged at me. I bought books about the school and sought out memoirs written by people who had studied there, life-long diplomats like Ivor Lucas, whose self-published memoir of his career was to inform Jason Hartmoor's mostly unremarkable diplomatic existence. Eventually, on a misty, rainy spring morning, I travelled up into the mountains with pal Maha and we tottered around the dripping village of Shemlan looking for the school. Or rather Maha tottered, wearing her usual mad heels and complaining that I was responsible for ruining her McQueens as we squelched around.

She found my comment about how she should have worn trainers unhelpful for some reason.

The locals didn't think much of being asked about the spy school by some Egyptian chick with a camera-toting Brit old enough to be her dad in tow. But we eventually tracked it down. I've been back to Shemlan a few times now - the village is lovely and the Cliff House restaurant an absolute delight that is alone worth the journey up from Beirut. It's odd how all roads lead to Shemlan - pal Dania 'Summer Blast' Al Kadi hails from the next village, as did a lady present at the recent How To Write A Book workshop I did for the Hunna writer's club (the How To Publish A Book one is at Dubai's Dar Al Adab on the 2nd November). Choueifat is just down the road, the home of the school that brought Sarah out to the UAE first in 1988. And Shemlan was home to Philip Hitti, the author of 'History of the Arabs' - a book I have long revered.

I had actually started writing Shemlan just before I published Olives - A Violent Romance. The book was shelved, paused about halfway through, while I got publishing Olives and Beirut out of my system. Originally called Hartmoor, the title was quickly changed when I discovered Sarah Ferguson's 'planned' historical novel of the same name was scheduled to publish in 2015. Having sent Beirut bobbing into the wide open sea last year, I took up the reins on Shemlan again earlier this year and finished the novel in a mad burst of frenetic activity, pumped on death metal and alternately smacked down by Arvo Pärt like a twisted druggie shredded by a mouthful of French Blues chased down with slugs of chilled vodka and warm dark rum.

And just in case you're interested, yes - I do know precisely what that feels like...

The story of Shemlan was, from an early stage, fated to travel to Estonia. We went to Tallinn for a magical week a couple of years back and I dragged Sarah across town to the British Embassy so I could photograph it for use in the book later - as it turns out, Lynch never does go to the Embassy to fall out with the ambassador in the final version of the book and so I didn't need the Embassy at all, but you can never be too careful.

Sadly, the other major location for Shemlan was Aleppo and the marvellous C14th Ottoman souk has been destroyed. In the overall devastation the last two years have brought, the loss is a small one, I know.

An odd footnote of interest to absolutely nobody but me is that the Urfalees church of St George's in Aleppo was somewhere you could still hear very early plainchant - the root of all European music lived on in the preserved practice of the Urfalees community. I use the past tense only because I don't know if it - and they - are still there. The little green orthodox church (Estonia is the most secular country in Europe - you don't get a lot of working churches there!) down by the port in Tallinn is also somewhere you can hear Estonian Orthodox singing, a rare and beautiful sound that is not only similar to the haunting echoes of Aleppo, but also the inspiration for Pärt's sparse, spine-tingling music. And it was to the aching soundscape of his 'Fur Alina' I finished writing Shemlan.
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