The Pitter Patter of Tiny Potters

Image via WikipediaWe’ve seen a number of moves now symptomatic of a publishing industry struggling to work out quite what it should do about the considerable challenges posed by the Internet and e-books, including the recent well-publicised moves by literary agents to launch e-imprints and the launch of Amazon’s own publishing house.

The rise of self-publishing (and the inevitable references to Konraths and Hockings) has itself changed the dynamic of publishing forever - news broke yesterday that 12% of all US households now own an e-reader. That's a remarkable number and the growth in readers appears to be pretty near exponential - that 12% figure is a three-fold year on year increase.

The latest twist to the 'what are we going to do now?' tale is, of course, JK Rowling’s Pottermore. The website will sell e-book editions of the Harry Potter stories in an experiential multimedia environment. There are some interesting aspects to the move that have had publishing pundits speculating like crazy about what it means. Here are some of the bits that caught my passing eye:

Rowling’s publishers and agent come out of this smelling of roses
While agents are launching e-book imprints against publishers and publishers sign up authors' backlists on e-book format by cutting out agents, JK Rowling has made sure everyone’s getting a slice of Pottermore. Her agent has been a force behind the creation of the project and she will pay her publishers royalties on the sale of the e-books. Time was when publishers paid authors royalties, so this really is a symptom of this new age where men walk backwards, hens speak and snakes fly.

Rowling is potentially doing for Kindle what Apple did for Flash
There’s been a lot of talk that Amazon will open up the Kindle and support the forthcoming Epub3 format. Pottermore asserts it will support ‘all readers’  and yet takes a direct to market route, which would pre-suppose that either Amazon will go Epub3 or has done some sort of deal with Rowling to let her publish to Kindle via her own site rather than Amazon.com. What could be an interesting alternative is Amazon opening up the Kindle format to writers going direct to market in return for a lower royalty. Can’t quite see that, though. But Amazon has to do one of the two – it can’t afford not to support Potter. Will Potter change the way Amazon works, or will Amazon make a single exception for a phenomenally popular author?

You need scale
The Harry Potter books have been massive, for sure, with Harry Potter and the Deathly Hallows alone selling 44 million copies. (To put that in perspective, Umberto Eco’s brilliant The Name of the Rose has sold 50 million copies and The Lord of the Rings 150 million.) The whole Harry Potter series has netted sales to date in excess of 450 million copies.

That’s a lot of trees, no?

With that kind of scale behind you, you can afford (literally) to build your own website and market books directly from it. Not only have you got the cash to splash, but you can also negotiate with your publishers from a position of glorious strength. But that scale was built (as Waterstones pointed out rather sniffily as it noted Rowling wasn’t going to be selling e-books through them) on traditional publishing techniques and channels. Few authors could pay for the development costs of a multimedia rich, experiential website and even fewer could garner the massive global media coverage of the move, build the levels of expectation of a large and loyal fanbase or stir up the kind of excitement that Rowling has managed.

Rowling’s scale is interesting because it lets her build a lot more into Pottermore than just the e-books: there are all sorts of possibilities, most of which are attached to revenue-generating ideas, including games and other sell-ons. The advertising clicks alone, on these kinds of numbers, mean real money.

Could she have got here without traditional publishing and the scale it offers? I very much doubt it.

This couldn't have happened if she had signed a modern contract
Signing as a new author, you get to sign away your digital rights too, for 20-25% of the total. Agents are up in arms about this and think 50% is nearer fair, but publishers are holding steady. If JK had signed with Bloomsbury today, she wouldn't be able to control her own e-book sales in this way. 450 million books down the line with no contractual (I assume, forgive me) obligations regarding e-books, she had the freedom to do this. It's doubtful whether any new author signing up today will get to play this way. You'd have to do this from a self-published perspective.And brave is the self-published author who shuns Amazon to go it alone with a standalone website.

The Potter franchise gets a new and highly lucrative lease of life
Given JK has said she’s not going to write any more Potter boilers and the films have now covered all the existing books, our Harry is pretty much a spent force. Except Pottermore changes all that. For instance, we’re not looking at all seven books going on line this autumn. Our JK’s smarter than that. This autumn you get one. 2012 you’ll get another one. With all the attendant fuss and media attention. And don't forget, Pottermore cuts the trees out of the equation, so the cost base is reduced to web development and multimedia production. Peanuts, in terms of the scales we're looking at here. With some smart drip-feeding, Pottermore could keep going for evermore!

Silence. The New Comment.

Image via WikipediaI know I've been going on about this, but it really is such a brilliant case study. The Great Sharjah Fuel Crisis continues, with ENOC and EPPCO stations shut down last Friday by Sharjah police after having failed to supply fuel to residents in Sharjah and the Northern Emirates for a month.

As I predicted a while ago, the story started to internationalise - this story in the UK's Daily Telegraph (kind enough to quote yours truly) talks of 'baffled' residents in this oil rich nation unable to buy fuel. Tellingly it ends with these words: "No one from either ENOC or the other main petrol company affected, Emarat, was available for comment."

Bloomberg filed an excellent piece today, linked here, which continues the trend of international interest in the story. Being a newswire, the Bloomberg piece has made it into a number of interntional newspapers and websites. Bloomberg's story, an in-depth analysis of the situation, makes an important link between the ENOC Group issue and Dubai's indebtedness and economic stability, as well as drawing some interesting conclusions regarding political stability. The story isn't going away, in short, and now it's arguably starting to affect Dubai's reputation in a broader sense. I would humbly suggest this would not have been the case if there had been an agreed and effectively implemented communications strategy to start with.

Tellingly, the Bloomberg story contains these words: "An ENOC spokesman declined to comment when contacted by Bloomberg. A Dubai government spokeswoman didn’t respond to an email requesting for comment, and an official in Abu Dhabi National Oil Co. public relations division didn’t answer calls to his office and mobile phone"

Gulf News filed today with a follow-up story on the issue, which talks about the Sharjah government's resolution in solving the issue. You'd almost think journalists were keeping the story alive to punish the silent spokespeople, wouldn't you?

Somehow tenacious GN hack Deena Kamel Yousef managed to get through to the man so many journalists have failed to buttonhole and so the GN story contains this timeless quote from ENOC's Silent Spokesperson: "I cannot give a statement now, don't ask me questions I cannot answer. I agree that we should be more transparent, I agree 150 per cent, but we have directives not to talk about this issue now."

Deliciously, Deena twists the knife: "Pressed for answers, he made casual comments on the weather to change the subject."

Tellingly, the GN story also points out that: "Enoc's silent spell lasted for about two weeks while the spokesperson was on holiday after the trouble started. Repeated attempts by Gulf News to contact the company were unanswered."

On holiday? You're kidding, right?

Digital Day

Image via WikipediaYou've got to admit, any conference organiser that offers to have their carefully assembled and constructed event chaired by me has to have their heads examined. But sure enough, you'll always find a looney on the bus and the organisers of Dubai's Click 5.0 digital media conference, IQPC, have gone ahead and done just that.

It's going to be an interesting day, and not just because the gig's being chaired by a gibbering lunatic - there are some really good speakers and some smart, practical case studies planned, including one session entitled 'How to sell social media to your CEO' which has me fascinated already.

If you haven't got tickets yet, you're too late - but you can follow proceedings at #Click5. Any complaints about the chairman are obviously to be ignored...

Is Silence Golden?

Image via WikipediaGulf News confirms what my eyes can see - EPPCO and ENOC stations in Sharjah have been sealed off today, shut down by the Sharjah government because the company failed to respond to the Sharjah Executive Council's (quite proper) concerns that a major supplier of petrol and diesel to people living here has simply failed to pump any of the stuff for something like a month now.

Worse, the company chose (as I have pointed out many times, with apologies for the repetition) to maintain a policy of stoicism - silence in response to the media and silence in response to the Sharjah government. The end result? They've been shut down and their brand is in tatters, reduced to a laughing stock.

The petrol company in a leading oil producing nation that couldn't actually supply petrol. That's pretty special, no?

ENOC/EPPCO - Thrown Out of Sharjah?

Image via WikipediaThe Emirates National Oil Company and the Emirates Petroleum Products Company, better known to us all as ENOC/EPPCO, or the ENOC Group, are facing a deadline to get their forecourts pumping fuel or face closure, according to today's papers who all delightedly slapped the news on their front pages.

As Mark Twain once said, "Never pick a fight with someone who orders ink by the barrel."

According to the reports (The National does by far the best job of reporting the story, BTW), the Sharjah Executive Council through the Sharjah Economic Department set a 72 hour deadline Tuesday (it meets each Tuesday) for the company to get its stations in Sharjah working again, which would give it until tomorrow (Friday) to comply. The ENOC Group operates 82 outlets across Sharjah and the Northern Emirates. Well, operated. They've been failing to actually sell any petrol for the past month.

The National reports that the penalty for non-compliance will be the closure of all service stations and facilities operated by the company in Sharjah. That's pretty hard-core.

The whole situation has been rendered that much more ridiculous by the company's early attempt at shrugging off the problem with a little slice of the mendacity that so many organisations here so readily employ when asked anything even remotely challenging by media. It appears we're learning the lessons all too slowly - it's not just print media that matter now: when you say your forecourts are closed because they're being upgraded, you can bet your bottom dollar that there are thousands of eye witnesses out there more than willing to share the 'Oh no they're not' online - with each other and, of course, with any watching media.

After that little slice of silliness, the company has refused any comment at all, every report in the media graced with the failure of the ENOC Group spokespeople to return calls or comment. The ongoing policy of silence in the face of public concern and the questions of media haven't helped the company at all. The explanation delivered to the Sharjah Executive Council (one was, apparently) is being treated by confidential by the SEC, but the papers have enough energy experts quoting away for us to be able to substantiate what commenters to my much, much earlier posts on this have said: the issue is one of being willing and able to continue to supply petrol at a loss because the company buys fuel on international markets and then has to sell at locally regulated prices, which are substantially lower.

Given this is the case, you'd be forgiven for wondering why they didn't just go ahead and say it. If the intention is to promote a change in the regulations or to gain some assistance in subsidizing the price of fuel, what could the possible harm be of letting the debate take place in public? If the company had been open and transparent about the situation in the first place, enunciated the issue and its position, it would likely have people understanding the issue and the company's response. There's even an argument that it would have prompted a faster and more positive resolution to the whole situation by bringing it out into the open.

Now they're facing being shut down and I can't see many tears being shed - particularly if they'll be replaced by nice, shiny ADNOC stations.

Death Stalks My Keyboard

Image by tanakawho via FlickrTo mark the start of the Dubai Summer Surprises Shopping Festival and the re-appearance of the infinite-eyed yellow tide of evil, I'm putting up a traffic-destroying writing post today.

Death Stalks My Keyboard

I was at a workshoppy thing with a client a while back, run by a very nice but terribly keen American person. I don't think anyone can properly understand wacky sects until they watch someone corporate giving it their all - the reinforcement, the expectation of people to 'become one' with the goal of being a team sometimes scares me in a mild sort of way. Anyway, the workshop was to start with everyone introducing themselves, their organisation and something that not everybody knew about them.

There were English people present. Worse, there were Jordanians there. The introduction was met with wide-eyed horror and then people started, cajoled and jollied along, to mumble their introductions. Joe Doe was from this agency and he was a karaoke singer, Jenny Penny from that agency had a secret love of Brussels sprouts.

The beam swept up to me. 'Hi, I'm Alexander McNabb and I'm from Spot On. Last week I killed a girl."

I Kill Her

The silence was rather marvellous. Our visitors smiled nervously; two watery, uncertain grins. I went on to explain and their relief was palpable, which was something of a surprise, I have to say. I mean, do murderers really confess all to visiting workshop leaders? Perhaps they do...

I had told the truth, in a way - the girl I had killed was very close indeed to my heart and hers was the first death that actually affected me. I was amazed at the strength of my reaction the decision to end the life I had essentially given her in my head. I couldn't listen to Secret Garden's ethereal Sleepsong for weeks afterwards, a song that was as connected to her death as George Winston's February Sea was to her life. It was all the more surprising as I had carried out a vast number of deaths in my first attempt to write a book, a funny book called Space. This was at least partly because one of the characters derived sexual satisfaction from the act of killing - the neat bit being that she worked for the CIA. (She also wore a black leather catsuit. That was just my female side coming through)

Olives, my first serious novel, had - as one writer friend put it - a pretty high headcount. But Beirut starts with a death, one which has invariably provoked very strong reactions indeed from test readers who had previously read Olives. It's a brutal death, a cold death - and from its terminal simplicity the whole book flows out into its different directions, plots and possibilities. And yes, the baldy bloke with the scythe and sartorial challenges is never far away.

The book I'm working on right now is totally hinged on death's inevitability. The one thing you know from the first word is the main protagonist the book is named after is going to die very soon .

Death does, indeed, stalk my keyboard. I'm not sure why, because I don't consider myself a morbid person at all. Mind you, as I pointed out in a (similar, in fact) guest post over at Phillipa Fioretti's blog, if I wasn't getting this stuff out of my system this way, who knows what I'd be getting up to?

Anyway, sorry Naeema. But I did enjoy the reaction! :)

Shemlan

I have a particular fascination for the little village of Shemlan at the moment. It nestles in the mountains high above Beirut, uphill from Aley and  Bchamoun, home to a few shops, a mildly famous restaurant and an orphanage.

Looking out over Beirut from Shemlan never fails to take my breath away. The city is spread out like a glimmering carpet below, the airport runways sitting by the infinite blue Mediterranean.

This was the shortest trip I have ever taken to Beirut in the 14-odd years I have been travelling here, literally 24 hours. My plan was simple enough, have lunch in Shemlan, go to GeekFest Beirut and nip back home. Thanks to Air Arabia and a three hour flight, this is a quite achievable and even fun. That three hour flight gets you into Beirut just in time to check in then spend the afternoon exploring or sitting around and reading newspapers over an Al Maza or whatever else floats your boat. I went up to Shemlan in the company of the delightful Micheline Hazou, patroness of genteel blog MichCafé  chatting about life during the civil war, Monday Morning and other stuff as our battered Mercedes taxi groaned up the hilly road.

We had lunch at Al Sakhra, the Cliffhouse restaurant in Shemlan. It's a fairly traditional Lebanese affair and we sat by the window popping pistachios and drinking Al Mazas as we looked out over Beirut below, dishes appearing from the kitchen with satisfying regularity to populate the table between us. The restaurant itself is fairly large, a favourite meeting place for couples being 'discreet', Micheline tells me with a hint of a glint, but also a popular place at weekends. There's a noisy party near us, filling one of the long tables set out in the conservatory, celebrating one of life's events with cloudy glasses of arrak.

The orphanage in Shemlan is the reason for my fascination with the village and the countryside around it, for it was here that the British government-run MECAS, the Middle East Centre for Arab Studies, was located until the civil war forced its closure in 1978. MECAS reported through the British Embassy in Beirut. It was from here the infamous George Blake was taken to London to be arrested on his arrival, finally unmasked as a Russian double agent, in 1961. The Lebanese, unsurprisingly, refer to it as the British Spy School.

GeekFest Dubai? Pat Yourselves on the Back!

If you haven't seen this already, do please watch it. Readers of this blog (both of you) and attendees to GeekFest will likely remember the name Ola Abu Jarmous. Ola, a little Palestinian girl with a life-threatening brain tumour was sent to Italy for the complex and delicate procedure that was her only hope of survival. The operation and travel costs exceeded $18,000 and the Palestine Children's Relief Fund had run of money. Thanks to Sara Refai's Ussa Nabulsiyeh blog, word got out and it became something of a GeekFest cause - people donated to the PCRF website (some people didn't want to use PayPal for an Arab cause and donated through friends), we raised funds by auctioning one of Gerald Donovan's mad GigaPixel prints and we emptied the GeekFest coffers (a not for profit event, GeekFest Dubai is cashflow positive!) to help Ola.

Sara's own GeekTalk, filmed from Nablus, is linked here.

Enough. Just watch the video below of veteran GeekTalker Steve Sosebee, head of the PCRF, talking at TEDx Ramallah. Sara was a big fat teary mess, apparently! :)



It's great that we all came together to do something small, right and wonderful. Don't forget, GeekaFest Dubai (one for the girls) is happening at the NEW Shelter on the 14th July 2011.

PS: Been trying to post this all day. The cloud has not been well at all.

PPS: And what of GeekFest Beirut? Damn but it was fine. Post tomorrow...

Gamers Take Over GeekFest Beirut

This edition of GeekFest Beirut is being put together by Lebanese technology, gadget and gamer website GIGAlb. There have been rumours that the site, perhaps rather in the way 4Chan is home to Anonymous, is associated with shadowy and feared online humour activists the Maniachis,  but nobody was available for comment at the time of posting.

The result is that GeekFest Beirut is gametabulous - tomorrow, the 17th June, Beirut Art Center will be transformed into a huge online gaming platform, including avant premier access to newly released games by Sony & Nintendo, a Mobile Gaming platform sponsored by NOKIA and a small pavilion of vintage games for hardcore geeks sponsored by Multimedia Megastore (M2).

You can register to play games at this here link here.

The vintage games pavillion is where you'll find me, drooling geriatrically and playing Galaxians, Asteroids and any other old skool stuff that's flying around.

This will be the largest GameFest in GeekFest history, with geeks and gamers competing to win prizes from Nokia, Crepaway and GoNabit!

GeekFest Beirut will be catered by Crepaway and 961 Beer and runs from 7.30pm 'till late. There's a map to it here if you're unsure where you're going and, of course, you can follow @GeekFestBeirut on Twitter or find it on Facebook!

As always, the stunning iconography for GeekFest Beirut is the doing of the uber-talented Naeema Zarif.

Who could want for more?

The Gay Girl Media Conundrum

The Gay Girl in Damascus affair has been a fascinating, if slightly irritating, sideshow to the appalling events in Syria as the country's people continue to struggle to push for change and reform in the face of brutal repression.

It's been extensively reported on elsewhere, but I am particularly interested in the reactions from 'traditional media' who appear to be taking an increasingly solid stance with reference to social media and the way it impacts/relates to the role of 'traditional' journalism. Gulf News wags its finger in an editorial today, "Beware of social media's dark side", in which it calls for 'this episode' to be 'a lesson for all of us'. Quite what the lesson is, GN doesn't make clear. I get the feeling that the writer really wanted to say 'don't trust social media because it can all be a pack of lies and that's why you need us, journalists, to filter this stuff for you' but couldn't really, because of course the biggest dupes of all have been the journalists who ran the story, parroted it and unquestioningly (especially in the Middle East's media, who should surely have known better) ran it from the newswires.

The story was broken, the blog conclusively proven to be a hoax, by online activist Ali Abunimah, who posted his reservations on his 'Electronic Intifada' blog (linked here), other bloggers (such as Liz Henry) were expressing doubts - and, to be fair, NPR's Andy Carvin, as well as the New York Times were onto the story and chasing down the increasingly ethereal 'Amina' - but most mainstream media (and, it should be noted, ALL Middle East media) were still just parroting the same stuff, derived from the blog itself, unthinkingly.

The fact is a number of people, connected online, contributed to reality checking and then publicly outing the fraud. They used their online experience, online resources and tools. They did not use the tools of 'traditional' journalism and arguably did not necessarily adhere to the standards of traditional journalism.

Commenter Charles on Liz Henry's BookManiac blog rather nails it, BTW: "One thing that struck me about the whole sordid affair was the narcissit, paternalist nature of it. Here is a white heterosexual man who, instead of supporting the efforts of real GLTB Middle-Easterners, decided instead to steal the spotlight from them and claim their voice. I guess he figured his little brown brothers and sisters just couldn’t do it themselves, so he appointed himself their spokesperson. That is rather disgusting."